Editing assets

Raw UGC footage for your team: b-roll, product shots, and no-voiceover clips

Clean, well-lit creator-shot footage your team can cut, remix, and adapt

I shoot footage packages — close-ups, product in use, textures, ambient scenes — so your team has real creator-shot material to edit however they need. No script, no voiceover, just clean footage ready to cut.

  • Standalone clip packages
  • No voiceover — your team edits
  • Perfect add-on to other services

What UGC b-roll footage is and when to use it

UGC b-roll footage is a set of standalone product clips, details, textures, and visual moments your team can use as support material to edit ads, reels, landing pages, or internal presentations. No voiceover, no narrative structure: raw visual material with creator-led quality.

B-roll types I usually deliver

Product in use
Clips of the product in real context: hands, textures, application, visible results.
Details and close-ups
Short shots of packaging, labels, ingredients, interface, or visual product elements.
Mood and styling
Setting and atmosphere clips that complement the brand visual identity without on-camera presence.
Transitions and textures
Visual support material for editing: pours, applications, swatches, product movement.

Best fit

  • Content teams that need raw material to assemble their own pieces.
  • Brands that already have an editor and need fresh, natural product footage.
  • Projects that combine b-roll with another service like ads, lifestyle, or testimonials.

Not the best fit if

  • You need finished pieces with voiceover, structure, and CTA.
  • You are looking for long-form content with editorial narrative.
  • The product needs verbal context to be understood.

How I prepare a b-roll package

  1. 1. Product and objective You tell me which product to cover, what the material will be used for, and what visual style you want.
  2. 2. Shot list I prepare a list of shots and angles that covers what your team will need for editing.
  3. 3. Recording with product I produce the clips with attention to lighting, texture, framing, and raw material quality.
  4. 4. Organized delivery You receive clips named and formatted in vertical or horizontal orientation per the brief, ready for editing.